Tuesday, 14 February 2012

delhi tourism place

Akshardham Temple
Swaminarayan Akshardham reflects the essence and magnitude of India's ancient architecture, traditions and timeless spirituality.

The main monument, depicting ancient Indian "vastu shastra" and architecture, is a marvel in pink sandstone and white marble that is 141 feet high, 316 feet wide and 370 feet long with 234 ornate pillars, over 20,000 sculptures and statues of deities, eleven 72-foot-high huge domes (mandapams) and decorative arches. And like a necklace, a double-storied parikrama of red sandstone encircles the monuments with over 155 small domes and 1,160 pillars. The whole monument rises on the shoulders of 148 huge elephants with 11-feet tall panchdhatu statue of Swaminarayan presiding over the structure.

The other attractions of the complex are three exhibition halls spaced around two huge ponds, where one is a venue for light-and-sound show. The three halls are "Sahajanand Darshan", "Neelkanth Darsdhan" and "Sanskruti Vihar". "Sahajanand Darshan" is where life of Swaminarayan is displayed through robotic shows, while "Neelkanth Darsdhan" has a huge I-Max theatre screening movie based on the life of the Lord. Another amazing presentation is "Sanskruti Vihar" with 12-minute boat ride experience of India's glorious heritage. 

The sprawling Swaminarayan Akshardham complex spread over 30 acres on the banks of the Yamuna near Noida Mor in East Delhi.

For visitors, entry to the complex is free. However, those who want to visit exhibition halls and theatres, Rs.125 is to be paid and for children and senior citizens the charges are Rs.75. "Over 6,000 visitors could easily witness the shows and enjoy boat-rides everyday, while over 25,000 people can visit the temple. We have deployed almost 140 guides who will facilitate visitors during their visit. It requires at least four hours to visit the entire complex thoroughly and see all the shows," said a temple management committee member, adding that the opening ceremony would be telecast live on Aastha channel. Elaborate security arrangements have also been made for the entire complex. Besides installing close circuit television cameras it has also deployed hundreds of its own security personnel.

The Rs.400-crore cultural complex, inspired by Pramukh Swami Maharaj of the Bochasanwasi Shri Akshar Purushottam Swaminarayan Sanstha (BAPS), will be popularised by its builders as "a place for cultural education and entertainment". The temple complex has drawn inspiration for its architecture from the historic temples of Badrinath (Uttaranchal), Somnath (Gujarat) and Konark (Orissa). It is the second Akshardham complex in the country after the one at Gandhinagar in Gujarat.

Even as last-minute preparations are now on for the inauguration, curious visitors have started coming in for a look or for offering "puja" and "abhishek".

At the heart of the complex is a palace-like monument built of at least 12,000 tons of pink sandstone and white marble brought in from Rajasthan. Topped with a series of domes, it stands 129 feet high, 275 feet wide and 315 feet long. Almost every square inch of the exterior has been exquisitely carved with statues and motifs of Hindu deities and Indian flora and fauna.

Pramukh Swami Maharaj, the 83-year-old spiritual leader of the Swaminarayan sect that has over 10 lakh followers across the globe, has closely monitored every detail of the complex. It took over 7,000 builders, masons and polishers to build the complex in record time. The place is built to withstand major quakes "and to last at least a thousand years".

The complex has two huge exhibition halls; one will take visitors on a visual journey through India's cultural heritage, while the other "will depict Indian moral values through a light-and-sound show". The complex also boasts of an Imax cinema, a canteen big enough to accommodate 5,000 people at one sit




Purana Quila

One does not have to go far to see the old fort or Purana Quila standing stoically amidst wild greenery.Built on the site of the most ancient of the numerous cities of Delhi, Indraprastha, Purana Quila is roughly rectangular in shape having a circuit of nearly two kilometers.

The thick ramparts crowned by merlons have three gateways provided with bastions on either side. It was surrounded by a wide moat, connected to river Yamuna, which used to flow on the east of the fort. The northern gate way, called the Talaqui darwaza or the forbidden gateway, combines the typically Islamic pointed arch with Hindu Chhatris and brackets; whereas the southern gateway called the
Purana Quila
Humayun Darwaza also had a similar plan.

The massive gateway and walls of Purana Quila were built by Humayun and the foundation laid for the new capital, Dinpanah.
The work was carried forward by Sher Shah Suri,who displaced Humayun, Purana Quila is the venue for the spectacular sound and light show held every evening.




Qutab Minar
Qutab Minar is a soaring, 73 m-high tower of victory, built in 1193 by Qutab-ud-din Aibak immediately after the defeat of Delhi's last Hindu kingdom. The tower has five distinct storeys, each marked by a projecting balcony and tapers from a 15 m diameter at the base to just 2.5 m at the top. The first three storeys are made of red sandstone; the fourth and fifth storeys are of marble and sandstone. At the foot of the tower is the Quwwat-ul-Islam Mosque, the first mosque to be built in India. An inscription over its eastern gate provocatively informs that it was built with material obtained from demolishing '27 Hindu temples'. A 7 m-high iron pillar stands in the courtyard of the mosque. It is said that if you can encircle it with your hands while standing with your back to it your wish will be fulfilled.

The origins of Qutab Minar are shrouded in controversy. Some believe it was erected as a tower of victory to signify the beginning of the Muslim rule in India. Others say it served as a minaret to the muezzins to call the faithful to prayer.

No one can, however, dispute that the tower is not only one of the finest monuments in India, but also in the world. Qutab-ud-din Aibak, the first Muslim ruler of Delhi, commenced the construction of the Qutab Minar in 1200 AD, but could only finish the basement. His successorIltutmush, added three more storeys, and in 1368,Firoz Shah Tughlak constructed the fifth and the last storey.

The development of architectural styles from Aibak to Tughlak is quite evident in the minar. The relief work and even the materials used for construction differ. The 238 feet Qutab Minar is 47 feet at the base and tapers to nine feet at the apex. The tower is ornamented by bands of inscriptions and by four projecting balconies supported by elaborately decorated brackets. Even though in ruins, the Quwwat Ui Islam (Light of Islam) Mosque in the Qutab complex is one of the most magnificent structures in the world. Qutab-ud-din Aibak started its construction in 1193 and the mosque was completed in 1197.

Iltutmush in 1230 and Alla-ud-din Khilji in 1315 made additions to the building. The main mosque comprises of an inner and outer courtyard,decorated with shafts and surrounded by piller. Most of these shafts are from the 27 Hindu temples, which were plundered to construct the mosque. It is, therefore, not surprising that the Muslim mosque has typical Hindu ornamentation. Close to the mosque is one of Delhi's most curious antiques, the Iron Pillar.








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